I struggled getting started writing this week's 90MM because I don't actually have the vocabulary to describe The KLF.
I started off trying to write something comparing them to that scene in [insert name of practically any teen movie here] in which the cool kids are pretending to agree with the uncool kid but actually they're just taking the piss out of them - but that didn't quite work.
Then, worrying that I was revealing a bit too much of my not-so-secret enjoyment of trashy teen movies, I thought about Marcel Duchamps and his dubbing of a urinal 'art' and what it meant when one of the leading lights of art starts, if not rejecting the concepts but at least examining the more self-evident absurdities.
Then I started off on a tract about style-vs-fashion and how some people are able to make whatever they do look good no matter what.
What it comes down to though is that Bill Drummond and Jimmy Cauty in their incarnations as The KLF, The Kopyright Liberation Front/Kings of the Low Frequencies, The Jams, the Justified Ancients of Mummu, The Timelords, The K Foundation, One World Orchestra, 2K etc etc managed to simultaneously mock the whole music and art industry whilst also changing the entire face of the industry and putting out storming, anthemic tracks like this
and this
They practically invented the modern bootleg with "Whitney Joins The JAMs" whcih mashed "Mission: Impossible" samples with Whitney Houstons "I wanna dance with somebody". Then, as The Timelords they deliberately wrote a nauseatingly catchy "lowest common denominator, something that Timmy Mallet would understand" song which took samples from Doctor Who and crashed them into Garry Glitter's "Rock and Roll (Part 2)" and The Sweet's "Blockbuster!" with the explicit intention of getting a number 1 single. Which they did with "Doctorin The Tardis". Then they wrote a book called "The Manual (How to have a number 1 the easy way)" which told you how they did it and gave the guarantee that if you followed the book to the letter and didn't get a number 1 they'd refund the cost of the book.
They 'retired' in the most spectacular form possible - at the 1992 Brit Awards they performed a live "violently antagonistic performance" of "3 A.M Eternal" in front of "a stunned music-business audience" with crust punk group Etreme Noise Terror. Prevented from throwing buckets of Sheep entrails over the audience a bekilted Bill Drummond theatrically limped on stage and fired blanks from a machine gun into the air
After which they burnt their last million pounds on the Isle of Jura and filmed it.
Every time someone tries to tell you that Green Day or Limp Bizkit or Sum 41 or god-forbid Avril Lavigne are punk I want you to think of this. I'm not saying that their music is bad necessarily I'm just saying that if some one tries to straight faced tell you that those or similar artists are "punk" then I want you to cock slap them. I want you to physically either punch them in the penile or vaginal area and/or lay about their face with your penis or other similarly degrading appendage - work with what both you and they have people. Get creative. Make sure they REALLY TRULY understand.
Because it's important.
Except when it's not.
Well, not actually 30. Today's my birthday, and I'm turning 30 only if you measure it in hexadecimal, a milestone I've been looking forward to for the past 6 years. (It gives away the secret if you say "I'm 2D years old".)
In the past 10 days, I've delivered a talk I call "Karaoke for Fun and Profit" not once, but twice, at two separate "ignite" events: IgnitePortland and IgniteSalem.
The streets were pretty quiet, which was nice. They're always quiet here
at that time: you have to be wearing a black jacket to be out on the
streets between seven and nine in the evening, and not many people in the
area have black jackets. It's just one of those things. I currently live
in Colour Neighbourhood, which is for people who are heavily into colour.
All the streets and buildings are set for instant colourmatch: as you
walk down the road they change hue to offset whatever you're wearing.
When the streets are busy it's kind of intense, and anyone prone to
epileptic seizures isn't allowed to live in the Neighbourhood, however
much they're into colour.
- Michael Marshall Smith, "Only Forward"
It gives me great pleasure to announce the release of Perl 5.11.2.
This is the third DEVELOPMENT release in the 5.11.x series leading to a stable release of Perl 5.12.0. You can find a list of high-profile changes in this release in the file "perl5112delta.pod" inside the distribution.
You can download the 5.11.2 release from:
http://search.cpan.org/~lbrocard/perl-5.11.2/
The release's SHA1 signatures are:
2988906609ab7eb00453615e420e47ec410e0077 perl-5.11.2.tar.gz
We welcome your feedback on this release. If you discover issues with Perl 5.11.2, please use the 'perlbug' tool included in this distribution to report them. If Perl 5.11.2 works well for you, please use the 'perlthanks' tool included with this distribution to tell the all-volunteer development team how much you appreciate their work.
If you write software in Perl, it is particularly important that you test your software against development releases. While we strive to maintain source compatibility with prior stable versions of Perl wherever possible, it is always possible that a well-intentioned change can have unexpected consequences. If you spot a change in a development version which breaks your code, it's much more likely that we will be able to fix it before the next stable release. If you only test your code against stable releases of Perl, it may not be possible to undo a backwards-incompatible change which breaks your code.
Notable changes in this release:
- It is now possible to overload the C operator
- Extension modules can now cleanly hook into the Perl parser to define new kinds of keyword-headed expression and compound statement
- The lowest layers of the lexer and parts of the pad system now have C APIs available to XS extensions
- Use of C<:=> to mean an empty attribute list is now deprecated
Abhijit Menon-Sen, Abigail, Ben Morrow, Bo Borgerson, Brad Gilbert, Bram, Chris Williams, Craig A. Berry, Daniel Frederick Crisman, Dave Rolsky, David E. Wheeler, David Golden, Eric Brine, Father Chrysostomos, Frank Wiegand, Gerard Goossen, Gisle Aas, Graham Barr, Harmen, H.Merijn Brand, Jan Dubois, Jerry D. Hedden, Jesse Vincent,
Karl Williamson, Kevin Ryde, Leon Brocard, Nicholas Clark, Paul Marquess, Philippe Bruhat, Rafael Garcia-Suarez, Sisyphus, Steffen Mueller, Steve Hay, Steve Peters, Vincent Pit, Yuval Kogman, Yves Orton, and Zefram.
Many of the changes included in this version originated in the CPAN modules included in Perl's core. We're grateful to the entire CPAN community for helping Perl to flourish.
Jesse Vincent or a delegate will release Perl 5.11.3 on December 20, 2009. Ricardo Signes will release Perl 5.11.4 on January 20, 2010. Steve Hay will release Perl 5.11.5 on February 20, 2010.
Regards, Léon
First, we're happy to announce that the team has identified and fixed the issue with the YouTube conduit; you can now find and add videos from YouTube to your library and posts. As always, thanks for your patience!
The other news we have today is about a new addition to the Six Apart family: TypePad Micro, a new free level of TypePad that is streamlined for microblogging. We see a new form of blogging emerging that lives between the quick status updates of Twitter and Facebook and the long-form posts of "classic" blogging; TypePad Micro is designed to meet that need. You can read more about TypePad Micro in Chris Alden's post on the Everything TypePad blog.
A lot of the new capabilities we've added to TypePad this year were actually inspired by some of the best things about Vox: favoriting, member profiles, a dashboard to follow other bloggers, and easy ways to post content from other social media sites. But the things that make Vox different from TypePad are still there: Vox has always been -- and still is -- the best place for "friends and family" blogging, where you're in control over who sees what. TypePad, on the other hand, is built for the blogger who wants, no, craves, attention.
Do you have a passion or interest you want to share with people beyond your Vox neighborhood? If so, we'd love it if you tried out TypePad Micro. Maybe you've always wanted to start that obsessive blog that's just about waffle restaurants. Or want a place to share videos of your favorite band (Jonas Brothers, anyone? Anyone? ...). TypePad Micro's great for those topic-specific blogs. Take it for a spin and let us know what you think.
On the Vox front, our designers are working on some cool new themes (coming soon!). We'd also love to hear your thoughts about where we should take Vox in the coming year. What are the key things you'd like to see for Vox? If you've had a chance to use TypePad this year, what are the features there that we should bring over to Vox? And, if you're thinking big thoughts, how could we connect the Vox and TypePad communities in order to bring together bloggers and their shared passions? Your feedback is really important to us, so please leave a comment here, or shoot me a message.
And again, thanks for your patience as we found and fixed the YouTube bug!
~ daisy
House music has always veered between having a sense of humour about itself and being thoroughly up its own arse. Tracks have trodden the very thin line between novelty, kitsch and playfulness - witness the differences between The Prodigy's "Charlie" (which, even at 180bpm, sounds twice as slow now as it did in my head at the time), Urban Hype's "Trip To Trumpton" and plummeting to new depths with Doctor Spin's "Tetris".
Set against this backdrop was N-Trance who are an odd datum on the arc of early to mid nineties techno. Their first demo was an (unreleased?) rave version of the theme tune to kids' tv program "Roobarb and Custard" but in '92 they put out "Set You Free" - a genuine, euphoric, hands in air rave anthem.
and then the slightly less goofy (but only just) with their take on Rod Stewart's "Do Ya Think I'm Sexy?"
But more on that next week ...
As many of you have noticed, the YouTube Conduit is not working. I am so sorry about this; I know how frustrating it is.
The team is looking into how to get this fixed and I will update you as soon as I hear something. In the meantime, not all is lost... There is a work-around for posting videos.
When you're in the Compose Screen, just click on "embed." Ignore the fact that it says "Widget" before everything because you can definitely use this to embed videos as well. You'll just need to input the embed code from the video, enter a title (if you want) and hit OK.
It might not show up perfectly in your compose screen, but when you hit "Save," your video should appear just the way you wanted it to.
Hopefully this will allow you to keep posting videos while we figure out what's happening on our end.
As always, thanks for your patience.
Also: by date myself I mean - "give clues as to my age" not "pick myself up, take myself out to dinner and then hence to watch a movie before attempting to indulge in a little light self-frottaging and then ending the evening early because I have a headache and I have to get up early and telling myself that I really like me but I'm not really in a relationship place right now"
Gosh, I'm glad we got that cleared up.
- 13:50 twitgoo.com/53fk3 #
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- 08:20 Amazon to provide multiple AWS Availability Zones in Singapore in the first half of 2010 #aws #
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